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Image 1 of 1
Image 1 of 1
Image 1 of 1
There is a moment when a layflat book opens for the first time, and the photograph inside spreads across two full pages without a seam in the middle. No spine eating into the frame. No bride cut in half by the binding. Just the image, the way the photographer composed it.
The pages are silver halide photo paper, two hundred and forty two gram, with the semi textured Lustre coating used by the photographic labs that print for the photographers whose work hangs in galleries. The skin tones land true. The blacks land deep. The whites land warm. It is the paper that makes the difference between a print of your photograph and your photograph.
The Atelier is built for that moment.
Coffee brown linen on the outside. The color of a leather chair that has been loved for a decade. The color of a vintage spine on a Charing Cross Road shelf. It is the darkest of our covers, and the most grounding. It does not blend into your interior. It anchors it.
Inside, layflat pages. Heavyweight, archival, designed to lie completely open. This is the book you reach for when the photographs deserve the full spread. The first look. The aisle. The portrait at golden hour against the cypress trees. The Atelier is designed by us around your images, page by page, with the restraint of a museum monograph and the intimacy of a private edition.
One hundred pages designed for the bride who would rather have one beautiful object than five forgettable ones.
You can keep it in eleven by eight. You can size it up to fourteen by eleven. The fourteen by eleven is the version that becomes furniture. The version that lives on the lower shelf of the coffee table and is reached for the way you reach for a book you actually love.
Materials
Coffee brown linen hardcover. Black endpapers. Layflat binding. Two hundred and forty two gram silver halide Lustre photo paper. Available in eleven by eight or fourteen by eleven inches. One hundred pages, designed around one hundred and twenty to one hundred and fifty photographs. Designed in Europe. Crafted through our American bookbinding house at their production atelier in Asia.
There is a moment when a layflat book opens for the first time, and the photograph inside spreads across two full pages without a seam in the middle. No spine eating into the frame. No bride cut in half by the binding. Just the image, the way the photographer composed it.
The pages are silver halide photo paper, two hundred and forty two gram, with the semi textured Lustre coating used by the photographic labs that print for the photographers whose work hangs in galleries. The skin tones land true. The blacks land deep. The whites land warm. It is the paper that makes the difference between a print of your photograph and your photograph.
The Atelier is built for that moment.
Coffee brown linen on the outside. The color of a leather chair that has been loved for a decade. The color of a vintage spine on a Charing Cross Road shelf. It is the darkest of our covers, and the most grounding. It does not blend into your interior. It anchors it.
Inside, layflat pages. Heavyweight, archival, designed to lie completely open. This is the book you reach for when the photographs deserve the full spread. The first look. The aisle. The portrait at golden hour against the cypress trees. The Atelier is designed by us around your images, page by page, with the restraint of a museum monograph and the intimacy of a private edition.
One hundred pages designed for the bride who would rather have one beautiful object than five forgettable ones.
You can keep it in eleven by eight. You can size it up to fourteen by eleven. The fourteen by eleven is the version that becomes furniture. The version that lives on the lower shelf of the coffee table and is reached for the way you reach for a book you actually love.
Materials
Coffee brown linen hardcover. Black endpapers. Layflat binding. Two hundred and forty two gram silver halide Lustre photo paper. Available in eleven by eight or fourteen by eleven inches. One hundred pages, designed around one hundred and twenty to one hundred and fifty photographs. Designed in Europe. Crafted through our American bookbinding house at their production atelier in Asia.