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Some books are meant for the shelf. This one is meant for the table.
The Editorial is a white hardcover volume with a single photograph on the cover, set in editorial typography that borrows more from Kinfolk than from any wedding aisle. The format is intentional. Eleven by eight inches, the same proportions as the magazines you already keep stacked beside your sofa. Placed among them, it disappears into the conversation. Placed alone, it begins one.
This is the version of your wedding that sits comfortably between your Phaidon volumes and your slow Sunday mornings. It is the book a friend picks up before you have offered her coffee. It is the cover your mother stops on, the one your sister photographs without telling you, the one that quietly says, this is who we are now.
The pages are press printed on three hundred gram semi gloss paper, the same kind of substrate that magazines like Cereal and Apartamento rely on for the depth of their photography. It carries ink the way a magazine does. Sharp typography, considered tonal range, the slight texture of a real printed page.
We design every page for you. You send us your photographs. You tell us what mattered most about the day. We shape it into a hundred and sixty pages with the restraint of an editorial spread and the warmth of an heirloom. No templates to scroll through at midnight. No layout you have to fight with. The version that arrives at your door looks the way your home looks. Considered. Lived in. Unmistakably yours.
A wedding deserves to be read, not stored.
Materials
White hardcover. Three hundred gram semi gloss press paper. Eleven by eight inches. One hundred and sixty pages, designed around two hundred to two hundred and fifty photographs. Designed in Europe. Crafted through our American bookbinding house at their production atelier in Asia.
Some books are meant for the shelf. This one is meant for the table.
The Editorial is a white hardcover volume with a single photograph on the cover, set in editorial typography that borrows more from Kinfolk than from any wedding aisle. The format is intentional. Eleven by eight inches, the same proportions as the magazines you already keep stacked beside your sofa. Placed among them, it disappears into the conversation. Placed alone, it begins one.
This is the version of your wedding that sits comfortably between your Phaidon volumes and your slow Sunday mornings. It is the book a friend picks up before you have offered her coffee. It is the cover your mother stops on, the one your sister photographs without telling you, the one that quietly says, this is who we are now.
The pages are press printed on three hundred gram semi gloss paper, the same kind of substrate that magazines like Cereal and Apartamento rely on for the depth of their photography. It carries ink the way a magazine does. Sharp typography, considered tonal range, the slight texture of a real printed page.
We design every page for you. You send us your photographs. You tell us what mattered most about the day. We shape it into a hundred and sixty pages with the restraint of an editorial spread and the warmth of an heirloom. No templates to scroll through at midnight. No layout you have to fight with. The version that arrives at your door looks the way your home looks. Considered. Lived in. Unmistakably yours.
A wedding deserves to be read, not stored.
Materials
White hardcover. Three hundred gram semi gloss press paper. Eleven by eight inches. One hundred and sixty pages, designed around two hundred to two hundred and fifty photographs. Designed in Europe. Crafted through our American bookbinding house at their production atelier in Asia.